This gem of a book, edited by Amanda Briggs-Goode and
Deborah Dean, is packed with information. Like the lace event of the same name
that took place in Nottingham in 2012/13 this
book has something for everyone. For the historian, Sheila Mason has written
about the history of the Nottingham machine-made
lace industry and Deborah Tyler-Bennett has composed a hommage to machine lace
workers. Joy Buttress and Matt Gill have produced an evocative pictorial essay
about Nottingham lace. For the lace
researcher, the lace collections at Nottingham
City Museum
and the Nottingham Trent University (NTU) archive are described by Judith Edgar
and Amanda Briggs-Goode, respectively. Contemporary lace is also covered.
Deborah Dean discusses the exhibition ‘Lace works: contemporary art and
Nottingham lace’ which she curated at Nottingham Castle and Amanda Briggs-Goode
describes the ‘Journeys in lace’ project in which students and staff at NTU
used the archive as inspiration for contemporary work. The book ends with three
case studies discussing the work of Timorous Beasties, Cecilia Heffer and
Teresa Whitfield. As I said, something for everyone, a good read and lots of
illustrations too.
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