The theme of the second day of the Lace Unravelled symposium was ‘creative lace’. Wollfgang Buttress opened the day with a fascinating talk about expressing the ephemeral through light and architecture, in particular the ideas behind his Hive structure which is now at Kew Gardens. Sara Robertson and Sarah Taylor then told us about their collaboration with MYB Textiles and Mike Stoane Lighting to produce light emitting lace, some of which is on display in Lace Unarchived at Bonington Gallery. Sylvie Marot then discussed her forthcoming exhibition at the Calais Lace Museum entitled ‘Haute dentelle’ combining couture fashion and lace. During the lunch break we had the opportunity to see the artworks displayed throughout the house as part of the Public programme (more of that in another blog). After lunch, Cecilia Heffer described her research exploring ephemeral material processes in a contemporary lace practice. She considers the making of textile as a contemporary response to the transient nature of place. Shane Waltener, who had constructed two installations at Newstead – one in the Abbey grounds and the other in a bedroom - talked about his site specific work. The day was summarised by Janis Jefferies who reflected on the themes of the symposium and facilitated a final discussion. It was a fascinating day celebrating the ephemerality of lace and the continuing relevance of lace in practice today.