Lace unravelled is a series of events in Nottingham celebrating the history and contemporary uses of lace. I’ve previously blogged about the Lace unarchived exhibition at Bonington Gallery which runs until the end of the month (see blog of 1 March). The day at Wollaton Hall was the first day of the symposium and is also the venue for my contemporary response to the Battle of Britain commemorative lace panel. The day started with a keynote talk by Sheila Mason about the history of the machine lace industry, followed by Ann Inscker and Judith Edgar discussing the mentoring sessions they have been running during which they have discovered some interesting lace history hidden within the Nottingham lace collection. Dr Amanda Briggs-Goode then spoke about the importance of the Lace Archive at Nottingham Trent University and it’s use within the School of Art and Design.
All the delegates were then taken to the Prospect Room to see my new lace panels and a facsimile of the original Battle of Britain lace panel. I talked about the genesis and production of the original panel and then discussed how I had designed and produced my own panels. After that we had a tour of the Nottingham Industrial Museum and were shown a working Leavers lace machine.
After lunch, Anne-Claire Laronde and Sophie Henwood talked about the lace held in the Calais Lace Museum and the uses of lace in contemporary fashion. They were followed by Professor David Hopkin discussing the use of lace tells (songs which the lacemakers sang as they worked) and the often dark stories they revealed. Lindsey Bristow, finished the day with a talk about the manufacture of plain net or bobbinet and its varied uses today such as conductive lace and in parachutes. I’m looking forward to another interesting day of talks tomorrow.