Monday, 29 July 2013
The Queen’s Gallery, Buckingham Palace, is The art of Tudor and Stuart fashion. As that suggests, there is plenty of magnificent art depicting the textiles and lace of the fashions of the period, but also some artefacts which allow you to examine the textiles first hand. Each painting is so detailed that you could spend hours examining each one and many of the costumes are painted in such detail that you could use them to draw up a pattern for the lace or embroidery. In the early part of this period, textiles and accessories indicated status and gave other subtle clues to the sitter’s religion, social position and lineage, and this is why they were painted so exactly. Towards the end of the period, ideas had changed and the textiles are painted in a more impressionistic manner. This is a fabulous exhibition for anyone interested in the fashions of this time; there is plenty to see, you can take your own photos, there is a multi media guide, and an excellent book to accompany it - which I’m just about to start reading. It’s open until 6 October 2013.
Tuesday, 23 July 2013
Crafts Study Centre – it’s an interesting mix of textiles and ceramics from the UCA Farnham collections, curated by Linda Brassington and Hannah Facey. The textile collection was begun by Ella McLeod, who founded the textile course at the Farnham School of Art in 1949. The aim from the start was to form a working collection that could be used for teaching students techniques and design and to inspire them. One of the most interesting exhibits was a series of letters from Ella McLeod to Miss E Stewart MBE of the Highland Home Industries negotiating the purchase of a fine 2 ply knitted shawl. Miss Stewart sent a selection of shawls of different qualities for the students to examine and the college then bought one and returned the others. I was struck by the generosity of Miss Stewart in sending six shawls for the students to handle and examine knowing that the college would only buy one of them.
Friday, 19 July 2013
Monday, 15 July 2013
We had a good response to ‘The fabric of memory’ exhibition at the Crypt Gallery, St Pancras Church, last week with about 30 visitors a day; a mixture of textile people, artists, tourists and regular visitors to the crypt and church. The site is very sympathetic to textiles and the venue drew our work together very successfully. As well as the alcoves that framed each section of my work (see Escaping above), I also used the structure of the building to highlight the gradual return of memories and how they flood back using the metaphor of cloth and these tunnel like vents to the outside (see a detail of Exuding below).
Friday, 12 July 2013
The exhibition runs until 14 July, from 11 am to 6 pm every day except Sunday when it closes at 4 pm so there is still plenty of time to come and visit.
Tuesday, 9 July 2013
We set up ‘The fabric of memory’ exhibition at the Crypt Gallery, St Pancras Church, Euston Road, London yesterday – it was pleasantly cool in the crypt despite the summer heat outside. I’ve set up three installations each with a photographic image and associate fabric – this one shows ‘Enlarging’ with an oversized ninepin lace edging escaping from the nail which is impaling it in the image. The theme for all my three installations is how memories overwhelm their site of containment. The other people exhibiting are Gail Baxter whose work considers absences and voids and Beverly Ayling-Smith who reflects on mourning and melancholy. The exhibition opens tomorrow (10 July) and runs until 14 July, it’s open from 11 am to 6 pm every day except Sunday when it closes at 4 pm.