Having seen
this exhibition at the V&A Museum I’ve concluded that luxury is a personal
thing and there can be no generalisations. The exhibition includes a 17th
century needle lace chasuble and lights including dandelion seeds by Studio
drift, both involving meticulous workmanship, expertise and rarity. There is
opulence, in the form of a golden crown incorporating precious gems. Innovation
is represented by one of Iris van Herpen’s laser cut dresses and a knitted
necklace by Nora Fok. All of these are lovely and beautifully crafted but I
don’t think wearing them would make me experience luxury in the same way that
say wearing a ball gown by Vivienne Westwood might. The exhibition does not
concentrate solely on artefacts though, it also considers ideas about peace and
privacy being luxuries in the modern world, and makes the audience consider
their own luxury. I think mine is referenced in the central installation of ‘Time
elapsed’, a machine making Spirograph patterns from grains of sand – surely
time and the ability to do what you enjoy is the ultimate luxury.
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