The theme of the second day of the Lace Unravelled symposium
was ‘creative lace’. Wollfgang Buttress opened the day with a fascinating talk about
expressing the ephemeral through light and architecture, in particular the
ideas behind his Hive structure which is now at Kew Gardens. Sara Robertson and
Sarah Taylor then told us about their collaboration with MYB Textiles and Mike
Stoane Lighting to produce light emitting lace, some of which is on display in
Lace Unarchived at Bonington Gallery. Sylvie Marot then discussed her forthcoming
exhibition at the Calais Lace Museum entitled ‘Haute dentelle’ combining couture
fashion and lace. During the lunch break we had the opportunity to see the
artworks displayed throughout the house as part of the Public programme (more of
that in another blog). After lunch, Cecilia Heffer described her research
exploring ephemeral material processes in a contemporary lace practice. She
considers the making of textile as a contemporary response to the transient
nature of place. Shane Waltener, who had constructed two installations at
Newstead – one in the Abbey grounds and the other in a bedroom - talked about
his site specific work. The day was summarised by Janis Jefferies who reflected
on the themes of the symposium and facilitated a final discussion. It was a
fascinating day celebrating the ephemerality of lace and the continuing
relevance of lace in practice today.
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