I enjoyed
this small exhibition of African fabrics and clothing at Bristol Museum and Art
Gallery. It is a brief overview of the subject which focuses on particular
topics such as communicative cloth, commemorative cloth and the origins of
patterns. It notes that much of what is known as ‘Africa cloth’ was instead
made in Europe imitating a style from Indonesia and then sold in West Africa.
This style originated in the early 1800s when the Dutch tried to copy Japanese batik
designs to sell in Indonesia. However, the mechanised process they used led to
crackling in the final product, which was not popular in Indonesia, but it
proved popular with men from Ghana who worked in the colony, so the Dutch began
selling it in Africa.
The section
on communicative cloth focuses on the rectangular cotton cloth known as the
kanga, which is worn as a body or head wrapper. These bold designs are
surrounded by a border and include slogans that can be ‘messages to a lover or
moral warnings to society’. In contrast to these more personal messages,
commemorative cloths are worn by members of political parties to show their
support during elections. The two shown in the image above represent the Malawi
Congress party from the 1970s, and the renaming of Swaziland to the kingdom of
eSwatini on 19 April 2018. As you can see from the images the exhibition
includes far more and is worth further investigation. It runs until 19 May 2019
so there’s plenty of time to catch it.
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