Wednesday, 12 June 2019

Figures in lace at the Lace Guild

I went to see the ‘Hidden in stores’ exhibition at the Lace Guild this week. What a treat to see some beautiful lace loaned from the V&A collection and the Dr Spriggs Loan collection. There were some lovely pieces on display and I was struck by the number of them that included figures. The Brussels bobbin lace cravat end illustrated above, from the Spriggs collection, includes several figures playing musical instruments and may date from the 18 or 19 century. Variations of this design exist in other museums and the fact that it is composed of several separate motifs may have meant it was easy to reproduce.
The most obvious figurative piece that dominated the room was the filet lace panel from the Spriggs collection depicting the sons of Joseph with their accoutrements. This was one of the older examples (c 1600) of lace on show and had clearly been worked in separate panels which were then joined together. Another old piece, from the late 16 century, was a scalloped bobbin lace edging showing alternating images of a sheep and a man, probably used as domestic lace bordering a cloth. The catalogue notes that this lace includes woven almond shaped leaves instead of plaits and that this can be used to identify the lace as originating from Genoa or Milan. 

Another very interesting piece was a pair of lappets from the V&A, thought to include portraits of John Churchill the first Duke of Marlborough and his wife Sarah. These are made in Honiton lace and date from 1710-1720. It was unusual to include recognisable people in lace and these may have been made to indicate the wearer’s (or her husband’s!) political allegiance. 

One of my favourite pieces was a bobbin lace flounce, from the V&A, made using a braid lace with linen and silver thread. It was made in northern Italy in the late 17 century. The design, made up of braids and net, is quite solid but what is so attractive is all the little animals, people and angels concealed within it. The silver thread has tarnished now but when it was made it would have sparkled beautifully in candlelight. The final figurative piece in the exhibition was a coloured needlelace purse depicting Chinese figures. It dated from 1700 but looked quite modern in its use of colour and design.

I have only talked about the figurative pieces here, but there is much more to see, including fine Honiton and needle laces. The exhibition ends on 21 June so do try and visit before it closes.

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