This lovely store curtain was made on a Nottingham lace curtain machine, not necessarily in Nottingham, as much curtain lace was made in Scotland in the Irving Valley, but it was probably bought in Nottingham. The lace curtain machine works on a grid system so the patterns are based on a series of squares, this sounds quite limiting, but as you can see from the image it can be used to produce lovely scrolling designs.
Store
curtains were made to be used flat or slightly gathered across the window so
the pattern was designed to be seen in its entirety. This image shows the lower
part of the curtain showing the wide band of scrolls and flowers in contrast to
the centre of the curtain which is more open with cartouches and small floral motifs.
This is a typical design with a wide lower border, a thinner top border, side
borders similar to the lower one but narrower and a central more open area.
The heading
of the curtain includes small openings through which a fine rod could be
inserted to hang it. This image also shows the scalloping which runs right
round the curtain and was made as part of the machine production.
This image
from about 1895 in Die Praxis des Tapezierers und Decorateurs shows how store
curtains would have been used under outer curtains. This elaborate assemblage from
a decorators manual includes intricate swags and curtains of two-tone satin and
damask, but most homes would probably have had straight curtains tied back at
either side and perhaps a fixed pelmet above to hide the curtain poles. In both
cases however the lace curtains would have been hung flat so that the lovely design
could be appreciated.
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