In about 1850, Belgian lacemakers began making lace without an integral net ground; at the time it was called guipure lace. This type of lace was already being made elsewhere, for example in Honiton in England, and consisted of sprigs of bobbin lace joined together by fine lace bars. It’s greatest advantage was that numerous workers could be employed on the lace at the same time. Some made the sprigs, or motifs, and others assembled and joined them together, meaning that bigger items of lace could be made much more quickly compared with what one lacemaker working alone could achieve.
The finest
type of Belgian lace in this style soon became known as ‘point Duchesse’ in
honour of Marie-Henriette, the Duchess of Brabant. Marie-Henriette is an
interesting woman, she had had a happy childhood in Austria, and was an
excellent horse rider and musician. However, her marriage to Leopold the Duke
of Brabant was very unhappy. They were incompatible and married against both
their wishes when she was 16 and he was 18. They became king and queen of
Belgium in 1865 and had three daughters and a son who died when he was 10. When
Marie-Henriette died in 1901 they were living apart and Leopold came to her
funeral with his mistress.
Those of you with
keen eyes will have noticed that the lace in these images is not solely bobbin
lace, like Honiton lace, but also incorporates some needle lace. According to
Santina Levey’s book Lace: a history there were two main types of point
Duchesse: Duchesse de Bruxelles and Duchesse de Bruges. The first type was made
with fine bobbin lace flowers incorporating raised work, which is the raised outlining
around the edge of the petals. It was also embellished with needle lace in the ‘point
de gaze’ style, which is a very fine needle lace incorporating raised work,
picots and small circular couronnes. Duchesse de Bruges was a coarser style and
never included needle lace, therefore we can assume that this lace is the Duchesse
de Bruxelles type. Levey also notes that Duchesse de Bruxelles lace was never a
dominant fashion lace but was widely worn, mainly in small items such as cuffs
and collars, like the one in the images.



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