As part of my response to the Battle of Britain
commemorative lace panel I wanted to remember the people who made the lace as
well as the aircrew and civilians involved in the battle. To do that I decided
to include representations of their tools in the panel, in the sections
separating the images of the bombed buildings. I took photographs of the
equipment used in machine lace making and decided that I would represent the draught
pattern, the jacquard cards, the bobbins and their holders. The draught pattern
is used to transfer the original design into a grid form and to distinguish the
threads used for the pattern and for shading. It is a skilled job, as the
success of the design rests on how well it is converted to the grid. Harry
Cross the designer of the panel obviously recognised that skill as he
acknowledges the two draughtsmen, J W Herod and W R Jackson, in the panel. The
next step after draughting is punching the jacquard cards from the draught.
These are sewn together in a long line and as they run through the machine they
control the stitches being made. Also essential to the process is the smooth
running of the thread from the bobbins so I decided to include the bobbins and
their holders as well. I’ve made textile representations of these four tools
and used them to form the patterns between the main images to remember all
those people who made the production of the lace panels possible. Unfortunately I can't seem to add new images to my blog atm so I've had to use a picture I've used before of the bobbin and holder.
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