Shisha (glass) mirror work is unique to India. According to Anne
Morrell’s book on Indian embroidery it is thought to have developed in Baluchistan
or Gujarat and may originally have incorporated naturally occurring mica rather
than mirrors. Blown glass is used now which is broken into pieces and then cut
into shapes, most often circles. However in one of the examples I bought the ‘mirrors’
seem very flexible and more like cardboard than glass (see below).
Anne describes the traditional technique for holding the mirrors
in place with two vertical and two horizontal threads forming a cross across
the face of the mirror. This cross forms the base for the top stitching which
comprises buttonhole, herringbone, or chain stitch forming a circle round the
edge of the mirror. It’s important to get the tension of the holding stitches just
right as if they are too loose the mirror falls out and if they are too tight
it’s difficult to work the circle of edge stitches.
That’s the traditional technique, however at one of the
women’s cooperatives we went to we were shown a different method. The embroiderer
made a ring of thread round her finger, worked buttonhole stitch all the way
round it to make a ring and then slip stitched it over a mirror on the base
fabric which was held in place with stitches through holes in the mirror (see
above). Embroiderers, particularly those working for a living, will always use
faster ways to produce the desired result if they can, because time is money. Whatever
the method and the materials used it is a beautiful technique that is unique to
India.
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