I love this design for a lace curtain by Marcel Tuquet that
I found in a loose-leaf portfolio of designs published by Christian Stoll of
Plauen because it has an unfinished look and shows how the design is built up
in sections. The curtains are undated but I think this one probably comes from about
1900. The designs also have doodles round the margins, which suggests that they
were used as inspiration by lace designers in Nottingham, which is where I
found these. This design follows the layout for designing lace curtains set out
by Arthur Silver in his instructions for fabric design students in 1893 and
consists of a central design, borders and insertions. The central panel in this
case is based on a free design that is not symmetrical on either side of the
central fold. The bottom border is slightly wider than the side borders but
contains the same elements just in different proportions. The delicate three-point
flame shapes and lines are also mirrored in the central design linking the two
aspects together. There is also a wide insertion between the side border and
the central design made up of delicate flowers and leaf shapes that reflect
those in the central panel. These separate elements are all beautifully drawn
and cleverly linked together forming a very pleasing lace curtain design.
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