This exhibition in the Foyer Gallery, Farnham, shows the work of nine former MA students from the University for the Creative Arts. It includes the work of two jewellers, Tara J Murphy and Tom McDowell. Tara has continued her work with recycled objects, but has moved into using found objects from second hand sources to produce more figurative work. Tom transforms children’s drawings of animals into quirky wearable pieces. Ros Perton is a ceramicist who uses a variety of clays to question the traditional use of materials. Louise Renae Anderson is also interested in materials and describes her weaving process as a form of meditation. John Joyce’s interest in materials challenges the viewer’s notions of reality, with his sculpture of a bronze bird appearing to lift a paper carrier bag. The work of photographer, Richard Brayshaw, also aims to challenge the viewer by using psychological effects elicited by the physical environment, in particular by looking at transitions between safety and security. I found his images of steps leading into turbulent water very effective and disconcerting. The other photographer in the exhibition, Roger Buchanan, explores roadside verges.
Thursday, 13 December 2012
Past Masters: MA alumni exhibition
This exhibition in the Foyer Gallery, Farnham, shows the work of nine former MA students from the University for the Creative Arts. It includes the work of two jewellers, Tara J Murphy and Tom McDowell. Tara has continued her work with recycled objects, but has moved into using found objects from second hand sources to produce more figurative work. Tom transforms children’s drawings of animals into quirky wearable pieces. Ros Perton is a ceramicist who uses a variety of clays to question the traditional use of materials. Louise Renae Anderson is also interested in materials and describes her weaving process as a form of meditation. John Joyce’s interest in materials challenges the viewer’s notions of reality, with his sculpture of a bronze bird appearing to lift a paper carrier bag. The work of photographer, Richard Brayshaw, also aims to challenge the viewer by using psychological effects elicited by the physical environment, in particular by looking at transitions between safety and security. I found his images of steps leading into turbulent water very effective and disconcerting. The other photographer in the exhibition, Roger Buchanan, explores roadside verges.
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